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When he was 5, his mother died from puerperal fever , and his father, who had a drinking problem, gave the care of his four children over to their grandmother, who lived in Cookham Dean in Berkshire.

There they lived in a spacious but dilapidated home, The Mount , in extensive grounds by the River Thames , and were introduced to the riverside and boating by their uncle, David Ingles, curate at Cookham Dean church.

At Christmas the chimney of the house collapsed and the children moved to Fern Hill Cottage in Cranbourne, Berkshire.

In , their father tried to overcome his drinking problem and took the children back to live with him in Argyll , Scotland, but after a year they returned to their grandmother's house in Cranbourne, where Kenneth lived until he entered St Edward's School, Oxford in Edwards the boys were free to explore the old city with its quaint shops, historic buildings, and cobbled streets, St Giles' Fair , the idyllic upper reaches of the River Thames , and the nearby countryside.

Grahame married Elspeth Thomson, the daughter of Robert William Thomson in , when he was 40; the next year they had their only child, a boy named Alastair whose nickname was "Mouse" born premature, blind in one eye, and plagued by health problems throughout his life.

In Grahame took early retirement from his job at the Bank of England and moved with his wife and son to an old farmhouse in Blewbury , where he used the bedtime stories he had told Alastair as a basis for the manuscript of The Wind in the Willows.

With the arrival of spring and fine weather outside, the good-natured Mole loses patience with spring cleaning. He has fled his underground home, emerging to take in the air and ends up at the river, which he has never seen before.

Here he meets Rat a water vole , who at this time of year spends all his days in, on and close by the river. Rat takes Mole for a ride in his rowing boat.

Toad is rich, jovial, friendly and kindhearted, but aimless and conceited; he regularly becomes obsessed with current fads, only to abandon them abruptly.

Having recently given up boating, Toad's current craze is his horse-drawn caravan. He persuades the reluctant Rat and willing Mole to join him on a trip.

Toad soon tires of the realities of camp life, and sleeps in the following day to avoid chores. Later that day, a passing motorcar scares the horse, causing the caravan to overturn into a ditch.

Rat threatens to have the law on the car driver, while Mole calms the horse, but Toad's craze for caravan travel is immediately replaced by an obsession with motorcars.

Nevertheless, on a snowy winter's day, while the seasonally somnolent Rat dozes, Mole impulsively goes to the Wild Wood to explore, hoping to meet Badger.

He gets lost in the woods, sees many "evil faces" among the wood's less-welcoming denizens, succumbs to fright and panic and hides, trying to stay warm, among the sheltering roots of a tree.

Rat wakes to find Mole gone. Guessing his mission from the direction of Mole's tracks and equipping himself with two pistols and a stout cudgel, Rat goes in search, finding him as snow begins to fall in earnest.

Badger learns from his visitors that Toad has crashed seven cars, has been in hospital three times, and has spent a fortune on fines.

Though nothing can be done at the moment it being winter , they resolve that when the time is right they will make a plan to protect Toad from himself; they are, after all, his friends, and are worried about his well being.

With the arrival of spring, Badger visits Mole and Rat to take action over Toad's self-destructive obsession. The three of them go to Toad Hall, and Badger tries talking Toad out of his behavior, to no avail.

They put Toad under house arrest , with themselves as the guards, until Toad changes his mind. Feigning illness, Toad bamboozles Rat who is on guard duty at the time and escapes.

Badger and Mole are cross with Rat for his gullibility, but draw comfort from this, because they need no longer waste their summer guarding Toad.

Taking the car, he drives it recklessly and is caught by the police. In prison, Toad gains the sympathy of the gaoler's daughter, who helps him to escape disguised as a washerwoman.

Though free again, Toad is without money or possessions other than the clothes upon his back. He manages to board a railway engine manned by a sympathetic driver, which is then pursued by a special train loaded with policemen, detectives and prison warders.

Toad jumps from the train and, still disguised as a washerwoman, comes across a horse-drawn barge. The barge's female owner offers him a lift in exchange for Toad's services as a washerwoman.

After he botches the wash, Toad gets into a fight with the barge woman, who tosses him into the canal. In revenge, Toad makes off with the barge horse, which he then sells to a gypsy.

Toad subsequently flags down a passing car, which happens to be the very one he stole earlier. The car owners, not recognising Toad in his disguise, permit him to drive their car.

Once behind the wheel, he is repossessed by his former exuberance and drives furiously, declaring his true identity to the passengers, who then try to seize him.

This leads to the car landing in a horse pond , after which Toad flees once more. Pursued by police, he accidentally runs into a river, which carries him by sheer chance to the house of Rat.

Toad now hears from Rat that Toad Hall has been taken over by weasels and stoats from the Wild Wood, who have driven out Mole and Badger. Although upset at the loss of his house, Toad realizes what good friends he has and how badly he has behaved.

Badger then arrives and announces that he knows of a secret tunnel into Toad Hall through which the enemies may be attacked.

Armed to the teeth, Badger, Rat, Mole and Toad enter through the tunnel and pounce upon the unsuspecting Wild-Wooders who are holding a celebratory party.

Having driven away the intruders, Toad holds a banquet to mark his return, during which for a change he behaves both quietly and humbly. He makes up for his earlier excesses by seeking out and compensating those he has wronged, and the four friends live out their lives happily ever after.

In addition to the main narrative, the book contains several independent short stories featuring Rat and Mole. These appear for the most part between the chapters chronicling Toad's adventures, and are often omitted from abridgements and dramatisations.

The chapter "Dulce Domum" describes Mole's return to his home with Rat where he rediscovers, with Rat's help, a familiar comfort, despite finding it in a terrible mess after his abortive spring clean.

Pan removes their memories of this meeting " lest the awful remembrance should remain and grow, and overshadow mirth and pleasure ". Finally, in "Wayfarers All", Ratty shows a restless side to his character when he is sorely tempted to join a Sea Rat on his travelling adventures.

The original publication of the book was plain text, with a frontispiece illustrated by Graham Robertson, but many illustrated, comic, and annotated versions have been published over the years.

A number of publishers rejected the manuscript. It was published in the UK by Methuen and Co. The critics, who were hoping for a third volume in the style of Grahame's earlier works; The Golden Age and Dream Days , generally gave negative reviews.

In , then sitting US President Theodore Roosevelt wrote to Grahame to tell him that he had "read it and reread it, and have come to accept the characters as old friends".

A book that we all greatly loved and admired and read aloud or alone, over and over and over: The Wind in the Willows. This book is, in a way, two separate books put into one.

My mother was drawn to the second group, of which "The Piper at the Gates of Dawn" was her favourite, read to me again and again with always, towards the end, the catch in the voice and the long pause to find her handkerchief and blow her nose.

My father, on his side, was so captivated by the first group that he turned these chapters into the children's play, Toad of Toad Hall.

In this play one emotion only is allowed to creep in: nostalgia. The village of Lerryn , Cornwall claims to be the setting for the book.

Simon Winchester suggested that the character of Ratty was based on Frederick Furnivall , a keen oarsman and acquaintance of Kenneth Grahame.

Grahame wrote this in a signed copy he gave to Quiller-Couch's daughter, Foy Felicia. There is a proposal that the idea for the story arose when its author saw a water vole beside the River Pang in Berkshire, southern England.

From Wikipedia, the free encyclopedia. For other uses, see The Wind in the Willows disambiguation. Main article: Kenneth Grahame.

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.

September Learn how and when to remove this template message. April Dawn then falls into a watcher-esque role offering the group answers from research, such as ways to communicate with The Bringers and translating texts given to Buffy in a 'slayer keepsake'.

When Buffy tricks her into leaving town before the impending apocalypse, Dawn adamantly returns to fight against the First, during which she battles alongside Xander, and once again proves her value as a fighter by killing several Ubervamps and survives.

In the canonical comic book continuation to the television series Buffy the Vampire Slayer Season Eight — , it is revealed that Buffy and Dawn's relationship has been strained and conflicted since the events of "Chosen.

Throughout her affliction she spends a lot of time with Xander, to whom she reveals she was cursed as a result of cheating on Kenny with his roommate.

While her personal issues are made to take a backseat with Buffy, in battles, her gigantism shows some utility; she is able to assist fighting Amy in " The Long Way Home ", and rampages through Tokyo to distract their enemies in " Wolves at the Gate ".

Xander surmises she will likely experience a third such transformation before she can return to normal. In " Living Doll ", the twenty-fifth issue of the series, Dawn undergoes a transformation into a living doll and is kidnapped by a disturbed dollmaker for her 'protection'.

After her sister, Andrew and Willow track down Kenny, he later appears to undo the curse, and the two have a heart-to-heart, where Dawn apologises for her infidelity and explains she had been unprepared for the seriousness of her feelings for Kenny.

She subsequently spends some time bonding with Buffy. Dawn and Xander's growing friendship leads to them kissing, where they are discovered by Buffy, in " Retreat ".

In the series' final arc , Buffy brings about the end of magic, following which Xander and Dawn decide to settle down in San Francisco.

They allow Buffy to live with them until she finds her own place. Season Nine —13 begins with Dawn and Xander living an ordinary domestic life, with much less contact with Buffy than before since she has moved out.

They intend to capitalize on a world without magic and embark upon a life of normalcy. Their relationship is seen to be going through some difficulties, such as when Xander forgets Dawn's birthday.

Buffy also reflects that Dawn is not on her mind much of late. In "Welcome to the Team," Dawn becomes sick with what appears to be a very serious flu.

Buffy also forgets about one of Dawn's allergies. In the concurrent second issue of spin-off series Willow: Wonderland , Willow sees a worrying omen about Dawn while in an alternate dimension.

Later in the Buffy arc, Dawn begins to die and the gang recognise it is due to magic leaving her body. Spike, however, heads straight from Faith's apartment in London to be by Dawn's side, and Willow returns to California with her powers restored and attempts to prolong Dawn's life.

Fearing for his memories, Spike tries to record himself talking about Dawn but the tapes all become static, indicating that everything Dawn affected is also fading.

Dawn continues to rapidly fade until she disappears altogether. After the gang restart magic, they return to San Francisco where Willow is able to bring back Dawn using Buffy's blood in conjunction with the spell which created her.

Willow expresses that something feels different as she brings Dawn back, and Xander is suspicious of Dawn's knowledge of very recent events.

Buffy tries to tell Xander that he is being paranoid. In Season Ten , Xander continues to be suspicious of Dawn, and insecure concerning their relationship.

Buffy compares their behavior to that of her parents prior to their divorce. It is revealed that when Dawn was brought back she was reset emotionally.

While she still remembers her relationship with Xander she does not feel love for him anymore and recently re-experienced her grief for her mother's death, among other traumas.

According to Buffy creator Joss Whedon, the introduction of Dawn in Season Five was partly so protagonist Buffy Summers could experience a "really important, intense emotional relationship" with someone other than a boyfriend.

In the beginning of season five Dawn is portrayed as less mature than her age of fourteen. She is seen to be immature, sulky and klutzy, often breaking objects, and she keeps a diary.

Buffy and Joyce also infantilise her to some degree; they are shown finding someone to babysit her, although they later become more relaxed about this as seen in " No Place Like Home ".

I was like, 'Excuse me, she's been abandoned by about six parental figures. The girl has huge issues. We needed to make some changes.

Author Nikki Stafford saw the season seven episode "Potential" as an example of Dawn's growing maturity.

She praises the character for taking charge and accepting the possibility she might be a Potential Slayer, and for quietly stepping back when she turns out to be wrong, without revealing how disappointed she really is.

Stafford states, "Dawn has come a long way from the annoying adolescent she was in season five, and the screechy, difficult teen she was in season six 'get out, Get Out, GET OUT!

She is a mature young woman, the same age as Buffy was in season one, but she is handling her problems with even more grace and acceptance than her older sister did.

From Wikipedia, the free encyclopedia. United States portal Television portal. Studies in Popular Culture. TV Guide.

Retrieved September 13, Entertainment Weekly. April 1, Retrieved April 12,

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Rat takes Mole for a ride in his rowing boat. Toad is rich, jovial, friendly and kindhearted, but aimless and conceited; he regularly becomes obsessed with current fads, only to abandon them abruptly.

Having recently given up boating, Toad's current craze is his horse-drawn caravan. He persuades the reluctant Rat and willing Mole to join him on a trip.

Toad soon tires of the realities of camp life, and sleeps in the following day to avoid chores. Later that day, a passing motorcar scares the horse, causing the caravan to overturn into a ditch.

Rat threatens to have the law on the car driver, while Mole calms the horse, but Toad's craze for caravan travel is immediately replaced by an obsession with motorcars.

Nevertheless, on a snowy winter's day, while the seasonally somnolent Rat dozes, Mole impulsively goes to the Wild Wood to explore, hoping to meet Badger.

He gets lost in the woods, sees many "evil faces" among the wood's less-welcoming denizens, succumbs to fright and panic and hides, trying to stay warm, among the sheltering roots of a tree.

Rat wakes to find Mole gone. Guessing his mission from the direction of Mole's tracks and equipping himself with two pistols and a stout cudgel, Rat goes in search, finding him as snow begins to fall in earnest.

Badger learns from his visitors that Toad has crashed seven cars, has been in hospital three times, and has spent a fortune on fines.

Though nothing can be done at the moment it being winter , they resolve that when the time is right they will make a plan to protect Toad from himself; they are, after all, his friends, and are worried about his well being.

With the arrival of spring, Badger visits Mole and Rat to take action over Toad's self-destructive obsession. The three of them go to Toad Hall, and Badger tries talking Toad out of his behavior, to no avail.

They put Toad under house arrest , with themselves as the guards, until Toad changes his mind. Feigning illness, Toad bamboozles Rat who is on guard duty at the time and escapes.

Badger and Mole are cross with Rat for his gullibility, but draw comfort from this, because they need no longer waste their summer guarding Toad.

Taking the car, he drives it recklessly and is caught by the police. In prison, Toad gains the sympathy of the gaoler's daughter, who helps him to escape disguised as a washerwoman.

Though free again, Toad is without money or possessions other than the clothes upon his back. He manages to board a railway engine manned by a sympathetic driver, which is then pursued by a special train loaded with policemen, detectives and prison warders.

Toad jumps from the train and, still disguised as a washerwoman, comes across a horse-drawn barge.

The barge's female owner offers him a lift in exchange for Toad's services as a washerwoman. After he botches the wash, Toad gets into a fight with the barge woman, who tosses him into the canal.

In revenge, Toad makes off with the barge horse, which he then sells to a gypsy. Toad subsequently flags down a passing car, which happens to be the very one he stole earlier.

The car owners, not recognising Toad in his disguise, permit him to drive their car. Once behind the wheel, he is repossessed by his former exuberance and drives furiously, declaring his true identity to the passengers, who then try to seize him.

This leads to the car landing in a horse pond , after which Toad flees once more. Pursued by police, he accidentally runs into a river, which carries him by sheer chance to the house of Rat.

Toad now hears from Rat that Toad Hall has been taken over by weasels and stoats from the Wild Wood, who have driven out Mole and Badger.

Although upset at the loss of his house, Toad realizes what good friends he has and how badly he has behaved.

Badger then arrives and announces that he knows of a secret tunnel into Toad Hall through which the enemies may be attacked. Armed to the teeth, Badger, Rat, Mole and Toad enter through the tunnel and pounce upon the unsuspecting Wild-Wooders who are holding a celebratory party.

Having driven away the intruders, Toad holds a banquet to mark his return, during which for a change he behaves both quietly and humbly.

He makes up for his earlier excesses by seeking out and compensating those he has wronged, and the four friends live out their lives happily ever after.

In addition to the main narrative, the book contains several independent short stories featuring Rat and Mole.

These appear for the most part between the chapters chronicling Toad's adventures, and are often omitted from abridgements and dramatisations.

The chapter "Dulce Domum" describes Mole's return to his home with Rat where he rediscovers, with Rat's help, a familiar comfort, despite finding it in a terrible mess after his abortive spring clean.

Pan removes their memories of this meeting " lest the awful remembrance should remain and grow, and overshadow mirth and pleasure ".

Finally, in "Wayfarers All", Ratty shows a restless side to his character when he is sorely tempted to join a Sea Rat on his travelling adventures.

The original publication of the book was plain text, with a frontispiece illustrated by Graham Robertson, but many illustrated, comic, and annotated versions have been published over the years.

A number of publishers rejected the manuscript. It was published in the UK by Methuen and Co. The critics, who were hoping for a third volume in the style of Grahame's earlier works; The Golden Age and Dream Days , generally gave negative reviews.

In , then sitting US President Theodore Roosevelt wrote to Grahame to tell him that he had "read it and reread it, and have come to accept the characters as old friends".

A book that we all greatly loved and admired and read aloud or alone, over and over and over: The Wind in the Willows.

This book is, in a way, two separate books put into one. My mother was drawn to the second group, of which "The Piper at the Gates of Dawn" was her favourite, read to me again and again with always, towards the end, the catch in the voice and the long pause to find her handkerchief and blow her nose.

My father, on his side, was so captivated by the first group that he turned these chapters into the children's play, Toad of Toad Hall. In this play one emotion only is allowed to creep in: nostalgia.

The village of Lerryn , Cornwall claims to be the setting for the book. Simon Winchester suggested that the character of Ratty was based on Frederick Furnivall , a keen oarsman and acquaintance of Kenneth Grahame.

Grahame wrote this in a signed copy he gave to Quiller-Couch's daughter, Foy Felicia. There is a proposal that the idea for the story arose when its author saw a water vole beside the River Pang in Berkshire, southern England.

From Wikipedia, the free encyclopedia. For other uses, see The Wind in the Willows disambiguation. Main article: Kenneth Grahame.

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources.

Unsourced material may be challenged and removed. September Learn how and when to remove this template message. April Retrieved 17 January New York: Facts on File.

Retrieved 1 March The Story of Cookham. Privately published by Cookham. Shepard ill. BBC News. IDW Publishing. The Guardian. Retrieved 4 November In " Living Doll ", the twenty-fifth issue of the series, Dawn undergoes a transformation into a living doll and is kidnapped by a disturbed dollmaker for her 'protection'.

After her sister, Andrew and Willow track down Kenny, he later appears to undo the curse, and the two have a heart-to-heart, where Dawn apologises for her infidelity and explains she had been unprepared for the seriousness of her feelings for Kenny.

She subsequently spends some time bonding with Buffy. Dawn and Xander's growing friendship leads to them kissing, where they are discovered by Buffy, in " Retreat ".

In the series' final arc , Buffy brings about the end of magic, following which Xander and Dawn decide to settle down in San Francisco.

They allow Buffy to live with them until she finds her own place. Season Nine —13 begins with Dawn and Xander living an ordinary domestic life, with much less contact with Buffy than before since she has moved out.

They intend to capitalize on a world without magic and embark upon a life of normalcy. Their relationship is seen to be going through some difficulties, such as when Xander forgets Dawn's birthday.

Buffy also reflects that Dawn is not on her mind much of late. In "Welcome to the Team," Dawn becomes sick with what appears to be a very serious flu.

Buffy also forgets about one of Dawn's allergies. In the concurrent second issue of spin-off series Willow: Wonderland , Willow sees a worrying omen about Dawn while in an alternate dimension.

Later in the Buffy arc, Dawn begins to die and the gang recognise it is due to magic leaving her body. Spike, however, heads straight from Faith's apartment in London to be by Dawn's side, and Willow returns to California with her powers restored and attempts to prolong Dawn's life.

Fearing for his memories, Spike tries to record himself talking about Dawn but the tapes all become static, indicating that everything Dawn affected is also fading.

Dawn continues to rapidly fade until she disappears altogether. After the gang restart magic, they return to San Francisco where Willow is able to bring back Dawn using Buffy's blood in conjunction with the spell which created her.

Willow expresses that something feels different as she brings Dawn back, and Xander is suspicious of Dawn's knowledge of very recent events.

Buffy tries to tell Xander that he is being paranoid. In Season Ten , Xander continues to be suspicious of Dawn, and insecure concerning their relationship.

Buffy compares their behavior to that of her parents prior to their divorce. It is revealed that when Dawn was brought back she was reset emotionally.

While she still remembers her relationship with Xander she does not feel love for him anymore and recently re-experienced her grief for her mother's death, among other traumas.

According to Buffy creator Joss Whedon, the introduction of Dawn in Season Five was partly so protagonist Buffy Summers could experience a "really important, intense emotional relationship" with someone other than a boyfriend.

In the beginning of season five Dawn is portrayed as less mature than her age of fourteen. She is seen to be immature, sulky and klutzy, often breaking objects, and she keeps a diary.

Buffy and Joyce also infantilise her to some degree; they are shown finding someone to babysit her, although they later become more relaxed about this as seen in " No Place Like Home ".

I was like, 'Excuse me, she's been abandoned by about six parental figures. The girl has huge issues. We needed to make some changes.

Author Nikki Stafford saw the season seven episode "Potential" as an example of Dawn's growing maturity. She praises the character for taking charge and accepting the possibility she might be a Potential Slayer, and for quietly stepping back when she turns out to be wrong, without revealing how disappointed she really is.

Stafford states, "Dawn has come a long way from the annoying adolescent she was in season five, and the screechy, difficult teen she was in season six 'get out, Get Out, GET OUT!

She is a mature young woman, the same age as Buffy was in season one, but she is handling her problems with even more grace and acceptance than her older sister did.

From Wikipedia, the free encyclopedia. United States portal Television portal. Studies in Popular Culture. TV Guide. Retrieved September 13, Entertainment Weekly.

April 1, Retrieved April 12, Buffy the Vampire Slayer. Canon Index Awards. Buffering the Vampire Slayer podcast Fan productions. Buffy studies In popular culture Whedonverse.

Book Category. Categories : Buffy the Vampire Slayer characters Child characters in television Teenage characters in television American female characters in television Fictional vampire hunters Fictional centaurs Fictional characters from California Television characters introduced in Fictional giants.

Dawn Willow Video Video

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